Monday, 22 October 2012

Typo 2012 Gerry Leondis

Saturday 20th October 2012
3pm

It was a choice between Gerry Leondis This is the New Typography (and the Typefaces that Make it Work) or Kirsty Carter & Emma Thomas (A Practice For Everyday Life) Translating Personal to Public.  As I am exploring digital and also Typeface choice for digital I thought I may get more out of the Typography talk

Any how Gerry's talk was definitely relevant and has certainly whet my appetite to research typeface further.

Gerry Leondis
What Typo say:

Gerry Leonidas started working in 1986, spanning the transition that desktop computers brought to the design and print industry, while gathering qualifications of mostly peripheral relevance. In 1994 he found a home in the Department of Typography at the University of Reading, where he teaches typography and typeface design, and is heavily involved in knowledge transfer projects. Since 2001 he has been running the MA Typeface Design programme. He has been contributing to Greek typeface design projects for over fifteen years, working with most of the designers and foundries that matter. His perspective is one of placing typography in a wider context, and helping develop in designers an understanding of the basic principles, and an insight into the potential for originality. He is frequently invited to speak, teach, and review the work of others. Gerry will take the subject “social” down to the letter.

http://leonidas.org/

http://typefacedesign.tumblr.com/

His talk slides are linked here:

Gerry will tell a story about typography, and typefaces. In this story, Typography is growing up, entering its sixth era. It is growing as a space shared by many disciplines, gathering readers who see – often for the first time – type, and spatial arrangement, and interaction as decisions that somebody made. In this story we see fundamental assumptions questioned, some thrown out with a “why on earth did we do it like this?”, and others kept with a forced admission that the old guys did get some things right after all. The best part of the story is the bit where typefaces become the looking glass through which all this comes together. There’s no baddie in this story.

Key learning points/quotes:














Sunday, 21 October 2012

Typo 2012 photos

My photos 


The Institute of education, London



Some of the signage




Goodie bags!



Posters which people could just take off the walls (or did!)


ken Garland was sat two rows in front of me for Sarah de Bondt


Matthew Butterick (Typographer/Lawyer/Could be Hollywood Actor!)



Matthew Butterick and Erik Spiekermann


Erik Kessler




Paula Scher 



The enigmatic Ken Garland






Wallpaper* /Tony Chambers



Typokit

Goodies!




Typo 2012 - Sarah De Bondt

Day One
Friday 20 October 2012
Logan hall
10AM  The Office Of Statistics

Sarah De Bondt


Radical nature 2009 Barbican Art Gallery




Used the material from the previous exhibition, Le Courbisier exhibition, to make the furniture for this exhibition,




The title wall was bits of white wall which was nailed and screwed together so could be re-sued

Reused Brabican archive and printed on the back of posters

The patterns inside the logo was so that printer used less ink

Not full page bleed pictures, smaller pictures

Riso printer - printed ond emand gallery guide - only printed 15,000 copies instead of the original order 30,000.

How Graphic Design itself  is social
Atissma - Art fair design





The Office for Statistics was actually at the exhibition and generating data and  statistics live.











Gave out posters of the stats and discussed the Graphic design with people great to get feedback at this level.

The Community of Graphic Design

Set up a Small publishing house. Occasional papers,  in 2008 making books more affordable to students.

The Form of the Book Book






















Monday, 15 October 2012

Exhibitions - A practice for Everyday Life

apracticeforeverydaylife

A lot of their work is done in collaboration with Architects, typographers and other specialists.

Postmodernism: Style and subversion 1979-1990





Bauhaus for Barbican Art Gallery




Branding and signage for The Hepworth Wakefield



Friday, 12 October 2012

Full screen and photo websites

I have been following Build for quite sometime.  They recently branded a Huddersfield based cafe T&Cake which of course is brilliant.  The website they have designed is also great - a full screen websites.  the photographs speak for themselves!

http://www.t-and-cake.co.uk/





Some more full screen websites

http://designm.ag/design/26-beautiful-fullscreen-websites/